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Alexander S. Lawson's Anatomy of a Typeface PDF

By Alexander S. Lawson

To the layman, all printing forms glance an analogous. yet for typographers, photograph artists and others of that lunatic fringe who think that the letters we glance at day-by-day (and take completely with no consideration) are of profound significance, the query of ways letters are shaped, what form they think, and the way they've got advanced continues to be one in all passionate and carrying on with concern.

Lawson explores the substantial territory of sorts, their improvement and makes use of, their antecedents and offspring, with precision, perception, and readability. Written for the layman yet containing exhaustive examine, drawings and synopses of typefaces, this ebook is a vital addition to the library of a person s typographic library. it's, as Lawson states, no longer written for the printer confident that there are already too many typefaces, yet quite for that curious a part of the inhabitants that believes the other; that the subtleties of refinement as applies to roman and cursive letters haven't begun to be absolutely investigated and that the construction of the fitting typeface is still a aim to be as a lot wanted through current as by way of destiny variety designers. someone desiring to typographic knowledge may still personal and treasure this vintage.

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Extra resources for Anatomy of a Typeface

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_. tun roRul~ · . )CRUln nonpupempeque--- I luoouu:_~ccku:l aa:rns SCUJJdaiJs &neThe Book of KeUs, c. late 8th-early pth century drawing of an uncial letter that was cut for him in 1921 by a Viennese punchcutter, A. Schuricht, and later produced by the Klingspor Foundry in Offenbach, which named it Hammer Unziale. But although the type was successful for the foundry, Hammer never liked or used it. ;:somechlngesauepuiul­ Leogeo p2om ies-ctnameLg ueligiont mac-ceus OF scacetg uea-c peusonst ang rna ns puesenc BCJsinesse Of" impouca nc~ta no ong case ChaC oeser:2uech pittie·~hechacques-eronech muchshaLLLeaunemuchtanoconcen-emucntspeciaLLg if"heeappuenis 1 Samson for Hammer obse~ed with great interest the punchcutter's techni

R:! by an happy complexion, gently and peaceably, to suffer it selfe to be led or drawne to follow reason. He that through a naturall facilitie and genuine mildnesse should neglect or contenme injuries received. should no doubt performe a rare action and worthy commendation; but he who. being toucht and stung to the quicke with any wrong or offence r~­ ccived. should arme himsdfc with reason agaimt this furiously-blind desire of revenge, and in the end. after a great conflict, yedd himselfe master over-it.

But at Goudy's death on May u, 194-7, the type had still not been produced, the primary reason being that it didn't even come close to what the Monotypc firm had wanted- a book type in the spirit of W. A. , WAS Be4UN A. eion fell through. se. s. eh that I might know how it will be received; and maybe I shall! son Paper Company, New York. stuvwxy2'; 67890 Goudy Thirty 33 ®olO~\in£5 ~ilk ~asttru Wedding Text (ATF) Scotch Roman. The Thirty drawings remained in the firm's files until John Anderson, proprietor of the Pickering Press and consultant to Monotype, decided to act as Goudy's advocate.

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Anatomy of a Typeface by Alexander S. Lawson

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